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About

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     Naïma was born in France to Beninese singer Angélique Kidjo and composer Jean Hébrail. Through the years of moving back and forth between France and America, her passion for theatre remained constant. Now based more permanently in Los Angeles, she continues to act and write. 

     She received a BA in Theatre Studies from Yale University. There, her roles ranged from student written plays (Eat, Sleep, Drink, Die; Angels), musicals (Spring Awakening), and contemporary plays (Circle Mirror Transformation), to Shakespeare (The Tempest; Antony and Cleopatra). Outside of Yale she appeared in Dracula and Poof! by Lynn Nottage at the Williamstown Theatre Festival. Her thesis, Pixel Souls, was the recipient of the Berkeley College Arts Prize.

     In Chicago, Naïma worked with Dog & Pony Theatre Company, The Hypocrites, Pegasus Theatre Company, Lifeline Theatre, Teatro Vista, and Victory Gardens. Her favorite role was as Abigail Williams in The Crucible with Steppenwolf for Young Adults directed by Jonathan Berry.

     Since moving to LA she has performed at Thymele Arts in the Pussygabber Plays, read in two "Square Circle" series which took place at Murmurs LA and the MOCA Geffen; she played Iseult in Pia Wilson's Iseult & Tristan both with IAMA Theatre Co in LA and LaMama Experimental Theatre Co. in NY. She even did a virtual play, Fort Huachuca, with SheArts LA during the pandemic lockdown.

       Naïma also does voiceover work–her credits include the Illinois Lottery, and McDonald's. And she continues to write! She is developing two film projects and a musical theatre piece slated to premiere in 2022. 

        She has trained all over the world, at the Cours Florent in Paris, at RADA in London; she's worked with famed acting teachers Larry Moss and Sharon Chatten among others. When she is not acting, auditioning, and cooking–she teaches French to children and does lots of yoga!

      Naïma is managed by Margrit Polak Management & Brittney McDade and represented by Time Art in France.

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Pas facile de trouver la sienne quand on est la fille d'une voix qui résonne aussi fort dans le monde artistique et au-delà. En s'inspirant des valeurs transmises par des parents modernes et aimants, la chanteuse béninoise a donné les armes à sa fille pour tracer son propre chemin.

[...]

De l’énergie, elles vont en avoir besoin. Si la mère et la fille sont réunies à New York, entre deux concerts pour l’une, et un tournage de série ou une répétition de théâtre pour l’autre, c’est parce qu’elles travaillent sur un projet commun : une « pièce de théâtre musicale » dans laquelle un baptême traditionnel béninois servira de point de départ symbolique au récit de l’histoire de l’esclavage. « C’est aussi son histoire à elle, insiste la chanteuse née à Ouidah il y a 59 ans.

Continuer à lire ici...

The Crucible (Directed by Jonathan Berry). Steppenwolf Theatre Company, 2017

"But as an audience member I can see ways to forgive Abigail, especially with these particular performances. She does a good job of making me hate her in some scenes and in other scenes be able to see where she was coming from, which is a really hard thing for an actor to do."

- Ada Grey

"Further complicating the fraught situation is the lust that the most audacious of the frolicking girls, Abigail (played with insidious determination by Naima Hebrail Kidjo), harbors for Proctor. "

-Chicago On The Aisle

"Naima Hebrail Kidjo, a Steppenwolf Theatre Company newcomer, also brings fresh perspective to Abigail Williams, the lovestruck, scorned minister’s niece whom community members of all genders, age and religious devotion learn to fear. [...] Kidjo and Knight display an electric chemistry that does more than hint at the fleeting, mutual passion that once existed between the characters."

-Becky Sarwate

"Inciting them with a very visual vengeance is Naïma Hebrail Kidjo as a hypocrisy-hating whore who strategically re-invents herself as the foe of Satan."

-Stage and Cinema

"A shrewd Kidjo tries to convince Knight that she is working for a better future for them. [...] At this point, Kidjo is driven by power not love."

-Fourth Walsh

"Naima [Hebrail] Kidjo is a standout as Red Eyes, the queen-bee villain of the tale."

-Chicago Reader

"The Man with Red Eyes becomes known simply as Red Eyes, and is fiercely played by Naima Hebrail who towers over the stage and crowd with her commanding voice and tremendous presence. "

-Buzz Chicago

"Naïma Hebrail Kidjo shines darkly as the contemptuously superior spokes-alien for Camazotz’s deranged, torture-loving maximum leader."

-NEWCITY Stage

A Wrinkle in Time (Adapted by James Sie; Directed by Elise Kauzlaric). Lifeline Theatre Company, 2017

Rutherford's Travels (by Illesa Duncan and David Barr, III. Directed by Illesa Duncan) Pegasus Theatre Company, 2016

"an altogether unforgettable turn by Naima Hebrail Kidjo"

-Chicago Sun-Times

"Kidjo brings forthright wit to Isadora — we can see that she also has a dangerous streak under her buttoned-down exterior. "

- Chicago Tribune

"Naïma Hebrail Kidjo, as Isadora, captures the subtle comedy of her character perfectly, as a woman who is cleverly coy beneath a dignified pose. "

-Chicago Critic

"featuring memorable character work by [...] newcomer Naima Hebrail Kidjo "

- Windy City Times

Galleries

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Theatre Gallery

Writing

Here are some samples of Naïma's play Pixel Souls, produced at Yale in 2015. 

Each piece is inspired by the photo attached to it. 

 
No Bullshit
Red
You Gotta Move
Elmo, or Fuck

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